Thursday, 31 August 2017
Wednesday, 30 August 2017
AND ! THEN THERE WERE SEVENTEEN
- So ?! Kelostemy Inn has 289 districts You're having a fucking larf aren't?you ,
Ms ?Ynnit
- It's very straightforward!, Professor Seventeen squared. Always thus was.
- ?And what names are we to know them by then , these districts
- Well their original names were changed of course. So, for example :
ORIG NAME NEW NAME
Eaglestone Min/Nim Eyklstone
Tongwell Slo-Tyme Nekin
Bradwell Abbey Ye Silent Monk
Monkston Stone ! My Nikel
Heelands Nnyk Slimetoe
Two Mile Ash Miles Keynnto' &
The Oke'nnElm Sity
Wymbush Onen Mesyklit
Fishermead K. Minnteysole
Conniburrow Ey-list Konmen
TinkerBloo Bridge Meletonin Sky
Stacey Bushes Elmoke Stinny
Willen (Lake) Yen T Monileks
Springfield Synn Koilmeet
Kents Hill Moley's in Kent
Stantonbury Knit'en Soylem
Fuller Slade Lenk Emtinoys
Brinklow Lo-Stink Meeny
- Perfectly fine I'm sure. Seventeen examples !hmm(M)m
Tho' what about? the other 272, I wonder
- O!h that's straightforward enough. You see each and every district
squares itself; into some sort of mathematical submission.
-
- Seventeen districts composed of seventeen departments.
Like the French. Butt not like the French if you get me drift.
!O(h) keep up Professor, please
- And how ?! might they be identified might one ask,
these district-departments, these johnlewis-begat-johnlewises
-
- 289 names ?Ms ?Ynnit
- Well again, straightforward enough. To give you a precise example :
Ye Silent Monk 2 then Y S M 3 5 7 11 13 17 etc/etal
- A prime example indeed, Ms. ?Ynnit
-
- Well Stone ! My Nikel
- Yes, that too.
Tongwell Slo-Tyme Nekin
Bradwell Abbey Ye Silent Monk
Monkston Stone ! My Nikel
Heelands Nnyk Slimetoe
Two Mile Ash Miles Keynnto' &
The Oke'nnElm Sity
Wymbush Onen Mesyklit
Fishermead K. Minnteysole
Conniburrow Ey-list Konmen
TinkerBloo Bridge Meletonin Sky
Stacey Bushes Elmoke Stinny
Willen (Lake) Yen T Monileks
Springfield Synn Koilmeet
Kents Hill Moley's in Kent
Stantonbury Knit'en Soylem
Fuller Slade Lenk Emtinoys
Brinklow Lo-Stink Meeny
- Perfectly fine I'm sure. Seventeen examples !hmm(M)m
Tho' what about? the other 272, I wonder
- O!h that's straightforward enough. You see each and every district
squares itself; into some sort of mathematical submission.
-
- Seventeen districts composed of seventeen departments.
Like the French. Butt not like the French if you get me drift.
!O(h) keep up Professor, please
- And how ?! might they be identified might one ask,
these district-departments, these johnlewis-begat-johnlewises
-
- 289 names ?Ms ?Ynnit
- Well again, straightforward enough. To give you a precise example :
Ye Silent Monk 2 then Y S M 3 5 7 11 13 17 etc/etal
- A prime example indeed, Ms. ?Ynnit
-
- Well Stone ! My Nikel
- Yes, that too.
Friday, 25 August 2017
JAPANOOSE
(s)he hang head in shame with hi-koos
butt ex-plane
in bro ken japanoose
SIK KEN KOL
KOL KEN SIK
- ! do not forsake me in silence
butt drinke four Sake'
to suche absinthe
-
Absinthe make the Fart grow stronger
I could say that people were so pissed when I assumed power
that by the time they'd sobered up it was too late.
The truth of the matter is, however, that power is borne of Money.
I come from Money:
Money that has no scrooples about how It has been acoomalated;
and I've gone on to acoomalate even more Money with just as few
scrooples.
DonaldTrump's batman
speaking for
DT
!Robin' bastard
R
- ?! Why can't we have wings to fly
why we not sanitary towels
why ?
K?Y(ms)
-
- So what? you think, Professor . I wrote it after a bad dream about Susan.
-
- It's a haiku, naturally.
- Well tbph it's not the most traditional haiku I've ever heard.
But it's got 17 beats at least, I'll give you that.
And I must be the first person to hear it, ?hmm
- Yes. After my new therapist, of course.
-
Wednesday, 23 August 2017
fundraise
SL: So ?!wots all this about tryin' to fundraise for the project ( THE 4 SUSANS )
with a UB40-stylee karaoke
K?Y: Well, Sikment, UB40 are Japanese and karaoke originated in Birmingham,
so it all fits neatly together really like a glove s t s
SL: Your sure ? about that
K?Y:
SL: Well, in that case, i'd like to be one
of the first to volunteer my services.
I'm a bit-of-a-UB40 nut as it goes
K?Y: Yes. We all remember only too well your moist sad rendition of ! RedRedWhine
SL: O(h)! yes tho' that should read RedRedWINE naturally lol
K?Y: No it shouldn't ! Don't forget, Sik, we've all heard you sing ( lol ).
SL:
P.C. Riojas
Sainsbury PortaPlod
Campbell Alley
(name & address withheld )
Thursday, 17 August 2017
! ? WHATS IT ALL ABOUT, SIK ! ? ( 2 )
Dear Professor Loyne ( name & address withheld )
My understanding of THE FOUR SUSANS project and the four constraints put on the four sets of muso-composers and, consequentially, the four sets of viz-artistes, is as follows:
The musicians were asked to work within four given criteria
- see Koo, Aug 12
Taking these conditions into account, and placing them within a pseudo-math frame, we formulated four further butt
appropriately-related constraints within which the visual artists would operate.
- see Koo, Aug 12 also.
In a nutshell, this is what I have construed from all that schamuddle:
There will be 4 artists
each of whom will have to create one piece of work
and each artist will be given a compass point, a temperament and
an element as their own references, but(t) all share the season of Winter. (This is because of where we are now in the story, in the year, in the project.) These (compass point, temperament, element and winter)can be reflected in the work however the artist may choose. eg North =compass point; temperament=Choleric; element= Fire; Season=Winter
There will be 4 components to the work.
1. The Variable component of the artist's work will include reference to Vivaldi and the work of one other 4Susans visual artist
and it will embrace form and content.
eg Vivaldi and Artist North (for Oken Metylsin)
2&3.Two further components, an 'Easy' and a 'Difficult'
one expresses Form, the other Content;
one 5 & 7; the other 17;
one 'temperament', the other 'element'
one the artist may find 'easy' the other 'difficult'.
eg the artist may choose something/a technique or style that he/she
finds 'easy', and express 5 and 7 within that, and the given temperament using Form.
Therefore leaving the Content part of the component to embrace 17,
and given element and what the artist may consider as difficult to depict.
4.'Constant' component.
WINTER;this also embraces both Form and Content.
So, as I understand it, be it correct or not, is like this;
If that aint it, in a fair sized nutshell, then I dunno wtf's goin on!!!
XxX
Kolee Me'Tin(n)ks
? ! WHAT ITS ALL ABOUT, SIK ? ! ( 1 )
SL : I'm writing to you, Ms ?Ynnit, because I'm so well aware of the
present confusion surrounding The Four Susans' farango;
i.e. the nature of the imposed FOUR VISUAL CONSTRAINTS
in relation to the previous FOUR MUSICAL CONSTRAINTS.
K?Y :
SL : So I thought this-hole-kaboodle might need some elaboration.
K?Y :
SL: So, anyhoo, here goes:
?!What's it all mean, Kolee, eh?
Seriously, I mean ' ?what's it all mean'
!PLEASE
K?Y :
LOYNE
Saturday, 12 August 2017
THE FOUR SUSANS FARAN-GO
THE FOUR CONSTRAINTS PUT TO THE FOUR MUSICIAN-COMPOSERS
EACH & IN THEIR UNIQUE WAY CREATING
AN ORIGINAL & SEASONAL SUSAN :
1. Three shifting, musical references to be considered in turn by each of the four ensembles.
2. Each original, seasonal composition will last 17 mins in total, constituting three movements of either 5 or 7 minutes duration.
3. The numbers 5 and 7 to play a key part in the four musical compositions.
4. Each ensemble will begin their composition at their appropriate solstice/equinox
and pass their completed work to the subsequent ensemble at the next
equinox/solstice.
NOSTLIKEYMEN /
TheUnusualSupects
THE FOUR CONSTRAINTS PUT TO THE FOUR VISUAL ARTISTS
EACH & IN THEIR UNIQUE WAY CREATING
AN ORIGINAL AND SEASONAL SUSAN .
These constraints refer to the component parts
of the SOLE piece created by each vis-artist.
The challenge for the artist be to create
ONE whole work that embody
diversely-constrained parts.
1. a VARIABLE component
This to take into account the artist's personal compass point,
Vivaldi, and the work of ONE other of The 4S viz-artistes
It will embrace both Form & Content
2. & 3. EASY & DIFFICULT components
One of these to emphasise Form, the other Content
One to reference 5 & 7 , the other 17
One to pay heed to to the approp. element,
the other to the approp. temperament
One may be "easy" for the artist, the other "difficult"
4. a CONSTANT component
Given season = Winter
( beginning & end of story )
To embrace both Form & Content
The Discombob(s) of Kelostemy Inn / Silent Monkey /
Kernel Leo Nitemynks
Wednesday, 9 August 2017
Monday, 7 August 2017
!
O
god
?
Charles, Burl & Terry Ives
The Unanswered Christian
Deer CBT Ives,
Thanks for submiting your review of The 4 Susans Farrango,
@ Centrala-in-Birmingham, yesterday,Monday,
Unfortunetly its literally not realy up our street,
and/or to the quality demanded by most of my many publications, so we won't be able to use it this time,
So !thanks butt !!no
thanks anyhoo
mate
!Godspeed,
Rupert Murdock
Dear Mr Morduck,
!Try this for size, please
Review of Four Susans farrango, Monday, August 7, Centrala,
Birmingham,
Tosspriks off the street
could have done better than this load of old cobblers
Very best wishes,
CBT Ives
FAO: Mydeer CBT Ives
Well !G'day cobber
O(h)?!Loadofoldcobblers
DoubleLOL !no bother
M x
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